Mary
Ellen Mark 27:10:2007
Keith
Calhoun and Chandra McCormick Calhoun 19:10:2007
Eduardo
Kac 7:02:2008
David
Trattles 4:04:2008
Aril 4th,
2008
“Globe Trotter and Social Documentary Photographer”
Friday, April 4, 2008
More than fifteen years ago, David Trattles, who had not studied
photography, took a brand new camera, two rolls of film, and took
off on his bicycle for a trip that took him from Turkey to Hong
Kong. The trip was great, the pictures awful. He decided to go
on another bicycle trip, this time across Russia, and learned
all about photography along the way. Today, his exhilarating images
have gained him respect as an accomplished documentary photographer.
.
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February 7th,
2008, 7:30pm:
Thursday, February 7, 2008
Eduardo Kac is internationally recognized for his interactive net
installations and his bio art. A pioneer of telecommunications art
in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged
in the early '90s with his radical telepresence and biotelematic works.
His visionary combination of robotics and networking explores the
fluidity of subject positions in the post-digital world.
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October 19th,
2007, 7:30pm:
Friday, october 19, 2007
Born in New Orleans in the 1950's, Keith Calhoun and Chandra McCormick
Calhoun have been chronicling the everyday life of the city's Lower
Ninth Ward for more than a quarter century. From documenting pleasure
clubs to bluesman, clock-workers to churchgoers, the Calhouns have
rooted their career in the neighbourhood they grew up in.
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September 27th, 2007,
7:30pm:
“Most Influential Woman Photographer”
Thursday, September 27, 2007
Over the course of her career, Mary Ellen Mark has produced numerous
widely acclaimed and influential photographic series whose subjects
have included women in the Oregon State Mental Hospital’s maximum-security
‘Ward 81’, prostitutes working in the Falkland Road brothels
of Bombay, runaway children in Seattle, as well as a series focusing
on the legendary Mother Teresa of Calcutta. Her photographic treatment
of her subjects illuminates the difficulties of their, sometimes tragic,
lives without condescension or sentimentality.
.
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